The Farmer'S Wife And The Raven

Technique: Giclée quality print
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More about this artwork

In the painting "The Farmer's Wife and The Raven" by George Stubbs, we see an intriguing scene captured in lush, natural surroundings. The central figure in this artwork is a woman, who appears dressed in typical 18th-century rural attire, complete with a cloak and a hooded bonnet. She is seated side-saddle on a white horse which has knelt down, possibly to provide a better vantage point or in response to the woman's own distraction or dilemma.The woman's gaze and one of her hands are directed upward toward a large raven perched on a branch above her. The raven, a bird often symbolizing intelligence and sometimes ill-omen in folklore, holds the attention of the woman, who seems intrigued or perhaps challenged by its presence.The backdrop is a beautifully rendered landscape, likely typical of the English countryside, featuring a variety of trees with lush foliage and a serene sky. The painting's composition, filled with naturalistic detail and soft color tones, enhances the quiet yet tense moment captured between the human and the bird.The moment depicted might suggest themes of communication with nature or an interruption in the woman’s journey, evoking a narrative that leaves the viewer curious about the interaction's context and outcome. Stubbs, well-known for his detailed and lifelike portrayal of animals, particularly horses, brings a quiet drama to this bucolic scene.

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George Stubbs (25 August 1724 – 10 July 1806) was an English painter, best known for his paintings of horses. Self-trained, Stubbs learnt his skills independently from other great artists of the 18th century such as Reynolds and Gainsborough. Stubbs' output includes history paintings, but his greatest skill was in painting animals, perhaps influenced by his love and study of anatomy. His series of paintings on the theme of a lion attacking a horse are early and significant examples of the Romantic movement that emerged in the late 18th century. He enjoyed royal patronage. His painting, Whistlejacket hangs in the National Gallery, London.