Melancholy III (1915–1917)

Technique: Giclée quality print
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More about this artwork

"Melancholy III," created by Edvard Munch between 1915 and 1917, is a compelling composition that delves into themes of introspection and human emotion. This print features bold, dark tones and a somewhat stark, minimalistic approach, typical of Munch’s expressionist style.The focal point of the painting is a large, contemplative male figure occupying the right portion of the frame, his features rendered in black against a dark background, enhancing the mood of melancholy. The figure’s downcast gaze and resting chin on his hand suggest a deep, introspective sorrow, or perhaps a moment of profound contemplation.On the left side, behind this figure, is a landscape that includes a calm sea with a small boat and a strip of land with tiny houses etched into the horizon. The horizon seems distant and desolate, enhancing the feeling of isolation or loneliness that surrounds the central figure. The contrast between the figure’s internal strife and the serenity of the landscape may suggest a disconnection with the world around him, emphasizing the central theme of melancholy.Overall, Munch’s use of dark colors and contrasting elements visually narrates a story of personal and emotional depth, characteristic of his exploration into the human psyche. The simple yet powerful imagery in "Melancholy III" is a testament to Munch’s ability to capture complex emotions with minimalistic detail.

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Edvard Munch (12 December 1863 – 23 January 1944) was a Norwegian painter. His best known work, The Scream (1893), has become one of Western art's most iconic images.

His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (today's Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('soul painting'); from this emerged his distinctive style.