Moonlight (1896)

Technique: Giclée quality print
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More about this artwork

"Moonlight," painted by Edvard Munch in 1896, is a striking artwork that uses a limited color palette predominantly consisting of dark blues and blacks, contrasted sharply by patches of white and yellow. The scene encapsulates a deep, nocturnal ambiance that is characteristic of Munch's exploration of mood and atmosphere.The painting depicts a female figure standing outside, likely near a house as evidenced by the presence of a window. Her face and figure are rendered in a simplified style that tends toward the abstract, with contours outlined in fluid, somewhat ghostly lines. She appears contemplative or perhaps melancholic, in line with Munch's frequent exploration of human emotion and psychological states.The background is decidedly moody and dark, using vertical strokes that suggest the trunks of trees, which adds to the feeling of being enveloped by a dense, dark forest or garden. A distinct element is a tangle of branches or vines, depicted in a lighter blue, which encroaches into the scene from the right, adding a touch of mysticism and enhancing the dreamlike quality of the painting.This artwork is a wonderful example of how Munch often conveyed complex emotional states through his distinctive use of color and abstract forms. "Moonlight" not only captures the solitude of the figure but also the eerie and enveloping presence of nature at night. Overall, the piece reflects a fusion of the natural world with a deep inward journey, typical of Munch’s symbolic and expressionistic style.

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Edvard Munch (12 December 1863 – 23 January 1944) was a Norwegian painter. His best known work, The Scream (1893), has become one of Western art's most iconic images.

His childhood was overshadowed by illness, bereavement and the dread of inheriting a mental condition that ran in the family. Studying at the Royal School of Art and Design in Kristiania (today's Oslo), Munch began to live a bohemian life under the influence of the nihilist Hans Jæger, who urged him to paint his own emotional and psychological state ('soul painting'); from this emerged his distinctive style.