The Drunk (1930)

Technique: Giclée quality print
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"The Drunk" by Alfred Ost is a compelling and expressive painting that delves into the theme of drunkenness and its social aftermath. This artwork depicts a central figure, a man, who appears disoriented and possibly struggling to maintain balance, emphasized by his exaggerated and distorted muscular body. His facial expression and the position of his limbs suggest a loss of control commonly associated with drunkenness.To the right of the central character, there is a woman who stands with a stoic, almost resigned expression. She seems to be witnessing the scene, possibly passively affected by the consequences of the man's condition. Her posture and expression add a somber tone to the painting, highlighting the impact of the man's behavior on those around him.Adding a poignant touch to the composition, a child is visible on the lower right side. The child seems to be tugged along, helplessly caught in the moment, which might suggest the broader impact of personal vices on family and the innocent.In the background, the setting appears to be an urban streetscape, near a tavern, as indicated by the sign that reads "In de Duif Stamenee," which translates to "In the Pigeon Bar" in Dutch, suggesting a local setting.Overall, Ost's work uses visual exaggeration and dramatic composition to communicate a narrative about the destructive nature of drunkenness, depicting not only the physical distortion brought about by alcohol but also the emotional and social turbulence it can cause.

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Alfred Ost was a renowned Belgian painter. In 1920, he garnered a bronze medal in the art competition at the Olympic Games for his exquisite painting titled "The Footballer" (Joueur de Football). Interestingly, that was the year when the Olympic Games expanded to include categories such as painting, architecture, literature, music, and sculpture.

During the challenging times of the Second World War, Alfred faced immense hardships, even running out of essential supplies like food. However, he managed to sustain himself through the help of Jesuit priests from the Xavier College in Antwerp. This help was in return for the religious artwork he contributed.

The Jesuits admired his artwork and provided him the opportunity to create murals across their school. These masterpieces illustrated the life of Francis Xavier, the patron saint of the Jesuit order and the eponymous college. Owing to a wartime scarcity of paints, Alfred resourcefully employed charcoal and charcoal sticks for his work. Later, these murals were preserved with a protective layer, and they continue to be among the school's most treasured possessions to this day.