Boerenwagen met twee paarden ervoor (1914)

Technique: Giclée quality print
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More about this artwork

"Boerenwagen met twee paarden ervoor" (1914) by Alfred Ost is a dynamic watercolor painting capturing a rustic and lively rural scene. The painting portrays a traditional farmer's wagon being pulled by two strong horses. The horses, one grey and one brown, are depicted in motion, their energy and strength palpably suggested through swift, visible brushstrokes giving a sense of their movement.To the right of the scene, a farmer, clad in a heavy coat and hat suggestive of cold weather, guides the horses. His figure, characterized by rough and expressive lines, adds to the overall impression of a hardworking countryside atmosphere. The setting seems slightly wintery, hinted at by the muted color palette and the soft, undefined backgrounds that give a sense of cold, damp air.In terms of composition, Ost strategically places the subjects to create a depth effect, with the horses and wagon appearing to move out from the shadowed barn area into an open, albeit obscured, space. This directional movement invites the viewer's eye to follow the subjects, enhancing the narrative of daily rural life. Ost's style in this painting is both impressionistic and expressive, capturing not only a moment in time but also the essence and atmosphere of rural Flemish life in the early twentieth century. The artwork resonates with a sense of immediacy and familiarity, invoking the viewer's empathy for the rustic endeavors of farm life.

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Alfred Ost was a renowned Belgian painter. In 1920, he garnered a bronze medal in the art competition at the Olympic Games for his exquisite painting titled "The Footballer" (Joueur de Football). Interestingly, that was the year when the Olympic Games expanded to include categories such as painting, architecture, literature, music, and sculpture.

During the challenging times of the Second World War, Alfred faced immense hardships, even running out of essential supplies like food. However, he managed to sustain himself through the help of Jesuit priests from the Xavier College in Antwerp. This help was in return for the religious artwork he contributed.

The Jesuits admired his artwork and provided him the opportunity to create murals across their school. These masterpieces illustrated the life of Francis Xavier, the patron saint of the Jesuit order and the eponymous college. Owing to a wartime scarcity of paints, Alfred resourcefully employed charcoal and charcoal sticks for his work. Later, these murals were preserved with a protective layer, and they continue to be among the school's most treasured possessions to this day.