Green, Blue And Purple

Technique: Giclée quality print
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More about this artwork

The painting "Green, Blue, and Purple" by Joseph Pennell showcases a beautiful yet somewhat abstract depiction of a cityscape under the veil of twilight or night. The dominant color palette comprises deep purples, rich blues, and patches of green, which create a cool and somewhat mysterious atmosphere. The sky, filled with dynamic brushstrokes, perhaps suggests movement in the clouds, infused with some warmer tones that might be the last glimmers of sunset or the lights of the city reflecting off atmospheric elements.In the foreground, the silhouette outlines of buildings and possibly domes and spires are visible, suggesting an urban scenery viewed from a distance. These forms are shadowy and not detailed, emphasizing the ethereal and moody quality of the painting. The artwork overall appears to use color and form to evoke mood and place, rather than to depict a realistic scene, steering the viewer more towards emotional interpretation rather than a direct narrative. This piece could be seen as evoking a sense of calm and contemplation.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

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You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Architecture, cityscapes, industrial scenes and landmarks by Joseph Pennell (1857-1926), American etcher, draftsman, lithographer and illustrator of books and magazines. Pennell published over 100 books, and collaborated on some travel books together with his wife, author Elizabeth Robins Pennell. He distinguished himself as one of America's most important etchers, and he helped to propel the revival of printmaking.