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Portrait Of The Artist reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS
Portrait Of The Artist reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

Portrait Of The Artist

Mary Cassatt
Technique: Giclée quality print
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This painting by Mary Cassatt, titled "Portrait of the Artist," is a striking self-portrait showcasing her skill with color and composition. Cassatt, an American painter and printmaker who spent much of her life in France, was part of the Impressionist movement, which is visible in her style here.In the composition, Cassatt portrays herself seated against a softly rendered, neutral background that helps to focus the viewer’s attention on her figure. She is depicted wearing a white dress with voluminous sleeves and a prominent, ruffled neckline. A dark, satiny ribbon ties around her neck, adding a sharp contrast that draws the eye. On her head, she wears a hat adorned with flowers, its vibrant colors echoing the liveliness often found in Impressionist works.Her expression is contemplative and slightly turned away from the viewer, suggesting a moment of introspection. This pose, along with her direct and unfussy presentation, is indicative of Cassatt’s approach to art: sincere, straightforward, yet with an underlying complexity.Cassatt's brushwork is loose and fluid, characteristics of the Impressionist style, allowing the viewer to sense the movement and the texture in her clothing and the sofa she rests upon.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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