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The Black Hat reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS
The Black Hat reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

The Black Hat

Mary Cassatt
Technique: Giclée quality print
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The painting "The Black Hat" by Mary Cassatt features a portrait of a young woman set against a muted background. The work is particularly striking for its vivid depiction of the woman’s attire and the expression captured on her face.The young woman in the painting is wearing a large, elegant black hat adorned with plumes, which adds a dramatic flair to her appearance. Her dress is a striking shade of blue, detailed with a lighter collar that is closely fitted around her neck. The contrast between the deep black of the hat and the vibrant blue of her dress draws the viewer's attention directly to her face.Her expression is serene yet contemplative, with blue eyes that are rendered with a softness and depth that suggests an inner pensiveness. Her complexion is pale, which further accentuates her features against the darker tones of her hat and the subtle hues of the background.Cassatt's use of pastels allows for a blend of textures and colors that give the piece a soft, almost ethereal quality. This technique showcases her skill in capturing the subtleties of human expressions and the textures of fabrics, making the portrait not just a visual experience but an intimate glimpse into the character of her subject.

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Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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