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Autumn, Portrait Of Lydia Cassatt reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS
Autumn, Portrait Of Lydia Cassatt reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

Autumn, Portrait Of Lydia Cassatt

Mary Cassatt
Technique: Giclée quality print
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This painting by Mary Cassatt, titled "Autumn, Portrait of Lydia Cassatt," is a captivating depiction of the artist’s sister, Lydia. Set against a richly textured background that embodies the essence of autumn with its array of earthy, vibrant colors, the scene captures a sense of serene contemplation.Lydia is portrayed seated outdoors, surrounded by the hues of fall foliage. She wears a warm, intricately patterned shawl draped around her, blending with the autumnal tones of the setting. Her attire also includes a dark, elegant bonnet adorned with a ribbon, reflecting the fashion of the time.The painter's focus on Lydia’s profile suggests a moment of introspection or distant engagement with the natural surroundings. The brushwork is loose and expressive, typical of Cassatt's impressionistic style, adding a dynamic and slightly informal quality to the composition. The interplay of light and color brings Lydia's face gently to life, highlighting her contemplative expression.Overall, Mary Cassatt's painting not only showcases her skill with color and composition but also reflects her subtle yet profound ability to capture the personality and mood of her subjects, making "Autumn, Portrait of Lydia Cassatt" a poignant and personal piece.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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