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The Letter reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS
The Letter reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

The Letter

Mary Cassatt
Technique: Giclée quality print
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"The Letter" by Mary Cassatt is a compelling artwork showcasing a woman absorbed in reading a letter. The woman appears to be seated at a desk, with her attention fully directed at the paper in her hands. Her expression, slightly downturned eyes and leaning posture, suggests she's engrossed in the letter's content, possibly indicating it contains personal or significant information.The setting is softly decorated with pastel tones and a wallpaper background patterned with green ivy leaves, which adds a gentle, intimate ambiance to the scene. The choice of colors and decor helps to draw the viewer's focus toward the woman and her interaction with the letter.Cassatt's work is known for its realistic portrayal of the private lives of women, their intimate bonds, and domestic scenes. In this painting, she captures a quiet, reflective moment with sensitivity and richness in detail. The textile of the woman's dress is particularly elaborate, adorned with gold detailed motifs that contrast beautifully against the deep blue fabric, emphasizing Cassatt’s attention to texture and color.The overall composition and theme of the painting reflect elements typical of Cassatt's style, focusing on the inner lives and quiet moments of women with an intimate, almost candid approach.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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