Gathering Fruit

Technique: Giclée quality print
Recommended by our customers
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More about this artwork

This engaging etching by Mary Cassatt, titled "Gathering Fruit," captures a tender and intimate moment between an adult and a child engaging in the simple yet joyful act of picking fruit. In this scene, we see an adult, presumably a woman, standing on a ladder, which is partially shown, as she reaches up to pluck fruit from a tree densely packed with leaves and round fruits. She seems focused on her task, embodying a sense of care and attention.Beneath her, a young child, held by another woman seen only from behind, excitedly stretches out an arm towards the fruit. The child appears eager and involved, reaching out as if trying to participate in the fruit gathering.The scene is depicted with fine, meticulous lines that give a delicate yet dynamic feel to the lush foliage and the figures’ clothing, suggesting movement and a gentle interaction with nature. The composition stylishly plays with perspective and depth, primarily focusing on the act of reaching towards nature, symbolizing perhaps growth, nurturance, or the passing of knowledge and tradition from one generation to the next.Cassatt’s work commonly explores themes of motherhood, children, and female camaraderie with a delicate yet profound touch, making "Gathering Fruit" a quintessential slice of her artistic vision that celebrates these everyday, yet deeply meaningful, aspects of life.

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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.