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The Bath reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS
The Bath reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

The Bath

Mary Cassatt
Technique: Giclée quality print
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"The Bath" by Mary Cassatt is a delicate and intimate depiction of a domestic scene between a mother and child. In this painting, the mother is seated next to a large blue basin, gently guiding her young child who is preparing to enter the water. The mother's attention is focused on the child, emphasizing a moment of nurturing and care.The artwork is characterized by soft lines and muted colors, which contribute to the overall tenderness of the scene. The mother wears a bright yellow robe adorned with dark, leaf-like patterns, which vividly contrasts with the pale colors used for the background and the figures. This color contrast draws the eye directly to the interaction between the mother and child, highlighting the emotional center of the composition.Mary Cassatt is known for her portrayals of the social and private lives of women, with particular emphasis on the bonds between mothers and children. This painting reflects her keen observation of everyday life and her ability to express profound emotional experiences through seemingly simple domestic moments.

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Yes, reproductions can be returned.

If you have any doubts more than 30 days after the date of purchase, please contact us - we will take the reproduction back for a refund or offer you a replacement!

We accept a maximum of two returns per customer - please note that we make reproductions to order, so please choose responsibly.

We do not refund shipping expenses.

Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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