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Woman Bathing reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS
Woman Bathing reproduction of painting by Mary Cassatt. ALL GICLEE PRINTS

Woman Bathing

Mary Cassatt
Technique: Giclée quality print
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The painting "Woman Bathing" by Mary Cassatt beautifully captures a private, everyday moment. It depicts a woman leaning over a basin, presumably washing her face or neck. The viewer sees her from behind, with her upper body inclined forward and her face reflected faintly in the mirror above the basin. This posture conveys a sense of intimacy and focused self-care.The woman is draped in a loose, flowing kimono with vibrant pink and green stripes, which adds a lively contrast to the calming blue background. The environment is serene and personal, enhanced by the simple yet elegant inclusion of a decorative jug on the floor, which complements the pattern of the kimono with its own floral motif.Cassatt's use of delicate line work and soft color palettes emphasizes the quietude of the scene. The composition is simple, focusing solely on the act of bathing, which allows the viewer to appreciate the tranquility of the moment without distraction. Her technique reflects the influence of Japanese prints, visible in the flat areas of color and clear outlines, which were popular among the Impressionists during her time.Overall, "Woman Bathing" is a testament to Cassatt's skill in portraying the beauty and dignity of women's domestic lives with grace and sensitivity.

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Artist
Mary Cassatt
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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.

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