Knob With Seven Rings

Technique: Giclée quality print
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More about this artwork

This artwork, titled "Knob with Seven Rings" by Albrecht Dürer, is a fine example of his mastery in printmaking and design. The image features a large, central circular knob or medallion, intricately adorned with seven concentric rings, each composed of various ornate, interlacing designs that appear somewhat floral and vine-like in nature.The striking contrast between the black and white creates a vivid visual effect, highlighting the complexity and meticulous detail of Dürer's design. The edges of the circular design are framed by elaborate scrolled work that adds an additional layer of decorative interest to the piece. This scrolling appears to include grape-like motifs at the corners, which could suggest a connection to themes of abundance and fertility.What’s interesting is the inclusion of Dürer's signature monogram "AD" placed within a small square at the center of the knob, subtly asserting the artwork’s creator amidst the elaborate decorative elements. This personal touch also serves as a testament to Dürer’s brand as a leading artist of the Renaissance, known for his technical prowess and innovative approach to art.Overall, the piece reflects Dürer's fascination with geometric shapes and patterns, and his ability to combine these elements with naturalistic details to create compositions that are both mathematically harmonious and aesthetically pleasing. It’s a superb representation of Northern Renaissance art, demonstrating an engagement with both intellectual and aesthetic pursuits.

Delivery

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Returns

Yes, reproductions can be returned.

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Christian paintings, woodcuts and landscapes by the German Renaissance master Albrecht Dürer (1471-1528). Dürer's pieces on Christian themes and allegory are considered to be the finest examples of the Northern Renaissance. One of Dürer's most famous works on Christ is his "Crucifixion" woodcut (1503). The piece demonstrates Dürer's mastery of the medium and deep understanding of Christian symbolism. The work depicts the crucifixion of Christ in a powerful and realistic manner, with an emphasis on the suffering and sacrifice of Christ. Dürer began his career as an apprentice in Nuremberg to the master craftsman Michael Wolgemut. He later became the founding member of the city's painters' guild and was an active member of humanist circles prominent in Nuremberg at the time.