Sonnenuntergang (around 1921)

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

"Sonnenuntergang," translating to "Sunset" in English, is a captivating piece by Austrian artist Karl Wiener, crafted around 1921. This painting is a vibrant exploration of color and simple forms, delivering a rich visual experience. At the heart of Wiener's composition is a quaint, stylized blue house with a striking orange roof, situated amidst a vivid landscape. The background unfolds in layers of deep purple and bold red, suggesting a lively yet serene twilight.Dominating the skies above the serene landscape is a radiant, expansive sun, depicted through dynamic yellow rays bursting across the canvas. This element not only highlights the sunset theme but also infuses the scene with a sense of energy and movement. The use of strong, contrasting colors and straightforward geometric shapes makes "Sonnenuntergang" an exceptional example of early 20th-century expressionism.This piece reflects Wiener’s unique ability to blend simplicity with profound emotional depth, making "Sonnenuntergang" not just a mere depiction of a sunset, but a profound celebration of nature’s daily spectacle.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Karl Wiener was an Austrian draftsman , graphic artist and photo montage artist. Because of his political and time-critical montages of the 1930s and 1940s, he was posthumously referred to as the Austrian John Heartfield on the occasion of the major retrospective on his estate in the Wien Museum.