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Evening Under The Lamps reproduction of painting by Pierre Bonnard. ALL GICLEE PRINTS
Evening Under The Lamps reproduction of painting by Pierre Bonnard. ALL GICLEE PRINTS

Evening Under The Lamps

Pierre Bonnard
Technique: Giclée quality print
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The painting "Evening Under The Lamps" by Pierre Bonnard captures a cozy, intimate indoor scene, likely set in a family home. The artwork is suffused with warm, rich colors that create a feeling of warmth and domesticity. The composition is divided by a heavy curtain, which adds a sense of depth and frames the image into almost two separate scenes intertwined into one.On the left side of the painting, a woman in a vibrant red dress appears to be sitting on a sofa, focused on some task in her lap, possibly reading or sewing. The softened brushstrokes and gentle illumination suggest a quiet, contemplative mood.In the central and right portion of the image, another scene unfolds around a table illuminated by a lamp with a white shade. Here, we see three figures—another woman and two children—who seem to be engaged in an activity, possibly drawing or doing homework, with papers scattered on the table. The children are attentive to their task, contributing to the serene atmosphere.

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Artist
Pierre Bonnard
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Pierre Bonnard (1867-1947) was a French post-impressionist painter, printmaker, and the leader of the Intimist art movement. He is regarded as one of the greatest colourists of modern art. Together with other young artists in Montmarte, Bonnard co-founded the group known as Les Nabis, translated from the arabic word “prophet”. He was known for a painting style that was very intimate, featuring friends in a garden, nudes, interiors and sunlit objects of everyday life. He began by painting in watercolor, composing scenes and deeply familiarizing himself with the subject, before transferring the composition to canvas. In many of his paintings, his mistress Marthe was the main subject. She was his most important model and was often pictured nude, after 30 years they finally married. 

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