Justitia and Pax
Technique: Giclée quality print
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"Justice and Peace", painted by the talented Flemish artist Jacob De Backer in the late 16th century, is a captivating portrayal of classical allegory, rich in symbolism and harmony. This exquisite artwork beautifully illustrates the virtues of Justitia and Pax—Justice and Peace—entwined in a serene dialogue.At the center of the composition are two figures: Justitia, clad in a dignified green and blue robe, holding a sword aloft in one hand and balancing scales in the other, symbolizing fairness and the moral force in judicial systems. Opposite her is Pax, draped in warm yellow, who gently touches Justitia’s arm, signifying the influence of peace over justice. Pax’s gesture towards Justitia suggests a cooperative relationship between these two ideals, emphasizing that true justice must be accompanied by peace.Floating above these central figures are two cherubs, each carrying a lush garland—symbols of triumph and celebration, highlighting the fruits of a society where justice and peace prevail. A distant landscape, visible in the background through a stately arch, features people engaging in peaceful daily activities, further underscoring the theme of societal harmony.On the right side, a statue of a robed woman stands gracefully enveloped in shadows, possibly representing the overarching power of wisdom or a guardian of the virtues displayed. The subdued lighting on this figure contrasts with the brighter illumination of the central scene, drawing attention to the dynamic and interdependent relationship between justice and peace.Jacob De Backer’s "Justitia and Pax" not only showcases his masterful use of color and composition but also serves as a timeless reminder of the foundational values necessary for a prosperous and fair society.
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Jacob de Backer (c. 1555 – c. 1591) was a Flemish Mannerist painter and draughtsman active in Antwerp between about 1571 and 1585. Even though he died young at the age of 30, the artist was very prolific and an extensive body of work has been attributed to him. Art historians are not agreed on how many of these works are autograph or the product of a workshop. The works attributed to the artist or his workshop are executed in a late-Mannerist style clearly influenced by Italian models.