The Conversation of Polemon (1778)
Technique: Giclée quality print
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We are delighted to present "The Conversion of Polemon," a profound artwork by the distinguished 18th-century Irish artist James Barry, completed in 1778. This compelling piece captures a transformative moment in the life of the Athenian philosopher Polemon, renowned for his dramatic shift from hedonism to stoicism.The scene is set in a somber yet dynamic atmosphere, where Polemon, portrayed seated to the right, is depicted in a moment of introspection and vulnerability. His posture and expression, with one hand to his forehead, suggest a profound internal conflict or revelation. Clad in flowing robes, his figure contrasts sharply with the energetic crowd on the left, listening intently to an elderly philosopher who stands and gestures passionately.This philosopher, possibly Xenocrates, addresses the assembly, and it is his words that have ignited a change within Polemon. The reactions of the audience vary, with some figures showing curiosity, others skepticism, and a few absorbed in deep thought, reflecting the range of human responses to philosophical orations.The artwork is rich in classical references, with a statue of Athena in the background symbolizing wisdom and the disciplined pursuit of knowledge. This setting not only contextualizes the philosophical theme but also enhances the narrative of personal and ideological transformation.James Barry's use of light and shadow dramatizes the scene, emphasizing the emotional and intellectual climax of the narrative. "The Conversion of Polemon" is not just a historical recount; it invites viewers to consider themes of change, enlightenment, and the power of ideas, resonating with audiences across centuries.
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James Barry (11 October 1741 – 22 February 1806) was an Irish painter, best remembered for his six-part series of paintings entitled The Progress of Human Culture in the Great Room of the Royal Society of Arts in London. Because of his determination to create art according to his own principles rather than those of his patrons, he is also noted for being one of the earliest romantic painters working in Britain, though as an artist few rated him highly until the fully comprehensive 1983 exhibition at the Tate Gallery led to a reassessment of this "notoriously belligerent personality”, who emerged as one of the most important Irish artists. He was also notable as a profound influence on William Blake.