Chinese frankolijn (Excalfactoria chinensis) (1759 - 1842)

On exhibit is a remarkable rendition of the Chinese Francolin, also known as the King Quail, captured masterfully by the Dutch artist Pieter Pietersz. Barbiers between 1759 and 1842. This painting, titled "Chinese Frankeolijn (Excalfactoria chinensis)," is a testament to Barbiers' skill and acute attention to detail, showcasing his ability to breathe life into his subjects through art.The painting beautifully depicts the bird in a profile stance, underlining the intricate pattern and texture of its feathers. Each feather is rendered with exceptional precision, reflecting varying shades that give the bird a tactile realism. The bird’s eye, alert and vivid, adds a lively essence that seems almost inquisitive, while its robust beak and strong legs suggest a creature well-adapted to its environment.Set against a plain background that fades gently into the perimeters of the paper, the focus is entirely on the small quail, emphasizing its natural beauty and the complex patterning of its plumage. The subtle gradation of colors and the detailed depiction of the bird’s physical characteristics are classic hallmarks of Barbier’s artworks, which often focus on the elegance of the natural world.This piece not only serves as a stunning visual archive of biological diversity but also reflects the historical context in which such works were both artistic and scientific endeavors. At a time when the natural world was being cataloged in increasing detail, such paintings offered viewers a glimpse into the vast, intriguing world of ornithology.We invite all guests to delve into the detail and craftsmanship of this exquisite piece. Pieter Pietersz.