Kitchenmaid

Technique: Giclée quality print
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More about this artwork

The "Kitchenmaid" by Pieter Pietersz, a remarkable work from the 16th century, offers an intriguing glimpse into the daily life and duties within a traditional kitchen. Exceptional in its detail and craftsmanship, this painting is not just a depiction of a woman at work but an intricate portrayal of a moment frozen in time, rich with symbolism and narrative depth.The centerpiece of this composition is a young woman, the kitchenmaid herself, captured in the midst of her duties. She is dressed in a vibrant red skirt paired with a crisp white blouse and a subdued tan apron, conveying both the functionality and modesty typical of a servant’s attire. Her expression, mixing resolve and a hint of weariness, reflects the demanding nature of her tasks.Surrounding the kitchenmaid are various elements that highlight her culinary and domestic responsibilities. To her right, two large, game animals hang, suggesting the preparation of a substantial meal, possibly indicating the wealth or the special occasion being catered to in the household. In her hands, she skillfully handles a partridge, which also rests on the table, further emphasizing the theme of food preparation.Additional details enrich the scene – a basket filled with eggs, a ceramic jug, and a detailed depiction of a waffle, which was a popular delicacy at the time. Each object is rendered with such fidelity that viewers can almost feel the textures. Furthermore, the inclusion of a painting within the painting on the wall behind her adds a layer of depth, possibly hinting at moral or philosophical undertones.

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Pieter Pietersz the Elder, also Pieter Pietersz. (I),was a Dutch Renaissance painter.

Pietersz was born in Antwerp. According to Karel van Mander, who mentioned him in his biography of his father Pieter Aertsen, he followed in his father's footsteps but took to portrait painting because large commissions were not to be had. Van Mander did mention a large painting for the Baker's guild of Haarlem, which is in the possession of the Frans Hals Museum today, and which Van Mander described as very fiery and original. He died in 1603 at age 62.