Cutting Mistletoe from it by the Druids
Technique: Giclée quality print
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Julius Caesar Ibbetson's artwork, "Cutting Mistletoe by the Druids," provides a fascinating window into the ancient practices and rituals often shrouded in mystery. This watercolor painting captures a poignant scene involving a group of Druids, ancient Celtic priests historically associated with enchanting ceremonies and a deep connection to nature.The scene is set in a dimly lit, forested area, evoking a sense of mystery and reverence. Central to the painting are three figures clad in flowing, light-colored robes, suggesting their sanctified role. The elder Druid, identifiable by his more elaborate garb and the solemn expression on his face, holds a sickle, poised to cut mistletoe from the tree—a practice historically believed to hold significant spiritual and medicinal power.Next to him, a younger Druid extends a branch of mistletoe towards another priest, highlighting the ceremonial passing of this sacred plant, which was considered a potent symbol of life and fertility in ancient Celtic mythology. This particular element of the scene emphasizes the reverence and careful handling of the mistletoe, believed to enhance its mystical properties.The foreground shows a figure, seemingly younger and less adorned, kneeling in a subservient posture. This character might represent an acolyte or novice, watching and learning from the ceremony, underscoring the theme of knowledge transmission and hierarchical structure within Druidic culture.Ibbetson's use of muted earth tones and shadowy hues interplays with the touches of white on the Druids' robes, visually reinforcing the sanctity and solemnity of the ritual.
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Julius Sergius von Klever was a Baltic German landscape painter.
His father was a chemist who taught pharmacology at the Veterinary Institute. He displayed artistic talent at an early age and took lessons from Konstantin von Kügelgen. After completing his primary education, was enrolled at the Imperial Academy of Fine Arts where, at his father's insistence, he studied architecture. After a short time, however, he began to take landscape painting classes; first with Sokrat Vorobiev, then Mikhail Clodt.