Fête Champêtre (c. 1730)

Technique: Giclée quality print
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More about this artwork

"Fête Champêtre" by Jean-Baptiste Pater, dating back to around 1730, offers a captivating glimpse into the idyllic pastoral celebrations of the 18th century. This enchanting painting captures a group of elegantly dressed ladies and gentlemen engaging in a leisurely gathering amidst a lush forest landscape. The scene is bathed in a soft, warm light that enhances the sense of a tranquil afternoon.At the forefront, a vibrant group of figures are seated and standing around, with some ladies conversing, while a gentleman courts them with apparent amity and charm. The attire of the figures, rich and detailed, mirrors the fashion of the era, showcasing flowing gowns and ornate coats, complete with ribbons and lace.To the left of the composition, a statue of a nymph, possibly symbolic of the pastoral and mythological inspirations of the time, overlooks the scene, adding a layer of classical reference and depth. In the background, the festivity continues with more figures strolling and enjoying the serene setting, some engaged in quiet conversation while others simply appreciate the beauty of their surroundings.The landscape extends into a distant horizon where the fading daylight gracefully meets the countryside. Jean-Baptiste Pater's mastery in blending figures with the natural environment, using fluid brushstrokes and a harmonious palette, invites the viewer to step into a world of peace, leisure, and artistic celebration.

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Jean-Baptiste Pater was a French rococo painter.

Born in Valenciennes, Pater was the son of sculptor Antoine Pater and studied under him before becoming a student of painter Jean-Baptiste Guide. Pater then moved to Paris, briefly becoming a pupil of Antoine Watteau in 1713. Watteau, despite treating Pater badly, had a significant influence on him. However the two quarreled and Pater returned to Valenciennes, where he remained for two years. In 1721, Pater and the dying Watteau reconciled; subsequently Pater became a student of Watteau once again, although only for a month before the latter's death. Pater later claimed to have learnt everything he knew during those few weeks with Watteau. He was accepted into the Académie in 1728, presenting a large military work in the popular Watteau style: La Rejouissance des Soldats (Louvre).