On The Ramparts (1867)

Technique: Giclée quality print
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** In this captivating scene painted by Jehan Georges Vibert in 1867, the viewer is transported back to a vibrant moment upon the ramparts of a fortified location. The painting, aptly titled "On The Ramparts", masterfully combines the rigor of military duty with the light-heartedness of social interaction, offering a layered narrative set against a historical backdrop.The composition is divided into two main groups, each defined by its colorful characters and their activities. On the left, soldiers clad in traditional military garb of the era stand guard. Their attire, richly detailed, ranges from armored breastplates to feathered hats, underscoring their readiness and status. The dominant blue of the cannon, poised yet silent, adds a cool contrast to the earthy tones of the setting, while also highlighting the military theme.To the right, the mood shifts with the introduction of civilians, including women in elegant dresses and men in more relaxed, yet still period-appropriate, attire. This group, engaged in lively conversation and gestures, brings a contrasting lightness to the otherwise solemn duty of the soldiers. The interplay of these groups suggests a narrative of daily life intersecting with the responsibilities of defense, encapsulated within the stone borders of the ramparts.Vibert’s skill in rendering the textures of fabric and metal, the human expressions, and the soft, diffuse light that touches each figure, all contribute to a dynamic and engaging tableau.

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Jehan Georges Vibert or Jean Georges Vibert was a French academic painter.

He was born in Paris, the son of engraver and publisher Théodore Vibert, and grandson of the influential rose-breeder Jean-Pierre Vibert. He began his artistic training at a young age under the instruction of his maternal grandfather, engraver Jean-Pierre-Marie Jazet. Vibert was more interested in painting than engraving and entered the studio of Félix-Joseph Barrias and eventually the École des Beaux-Arts when he was sixteen. He remained at the École for six years under the instruction of historic painter François-Edouard Picot.