Carnival Mask, Green, Violet, and Pink (Columbine) (1950)
Technique: Giclée quality print
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"Carnival Mask, Green, Violet, and Pink (Columbine)" (1950) is a striking painting by German artist Max Beckmann, renowned for his expressive use of color and form. This work encapsulates the vibrancy and complexity of carnival themes, often revisited in Beckmann's career, showcasing a masked figure that draws the viewer into a narrative woven with mystery and theatricality.The central figure in the painting, presumed to be Columbine—a stock character in the Commedia dell’arte—sits with a contemplative poise. Adorned in a dramatic mask with sweeping contours and stark black eye holes, she captures the intrigue of carnival disguise. Beckmann's use of contrasting colors, with vivid greens, deep violets, and bold pinks, enhances the emotional depth and visual impact of the painting.Dressed in a dark, star-patterned dress that cascades to her lap, and a sleek, flowing garment that drapes over her shoulder, Columbine holds a heart-shaped object, further deepening the symbolism and emotional resonance of the scene. Surrounding her are ambiguous elements that suggest a room but bend and sway in a manner reminiscent of stage curtains, emphasizing the theatrical and fleeting nature of her persona.This painting not only highlights Beckmann’s mastery of form and color but also serves as a profound commentary on identity and masquerade, revealing the layers that compose human persona and the masks we wear.
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Actors, cabaret singers, heroes and thugs in a harsh postwar urban life by German artist Max Beckmann (1884-1950). His paintings show boldness, lust, and pain through delineated figures. The Nazi rule forced Beckmann to resign as an art professor and declared his artworks as degenerate. He later left for America where he lived in exile, yet remained active as an artist.