Head study for ‘The Enchanted Garden’ (1916)
Technique: Giclée quality print
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More about this artwork
Welcome to our art exploration series where we delve into the compelling study behind John William Waterhouse's remarkable piece, “Head study for ‘The Enchanted Garden’ (1916).” This painting is a fascinating glimpse into the detailed preparatory work Waterhouse invested in his larger compositions.In this head study, we observe the portrait of a young woman, rendered with emotional depth and a lingering touch of mysticism. The subject is portrayed looking slightly upwards, her expression absorbed and reflective, suggesting a moment of deep reverie or quiet anticipation. The soft, diffused lighting accentuates her facial features and casts subtle shadows that enhance her thoughtful expression.Her attire suggests a historical or mythological context, possibly evoking the timeless narratives that Waterhouse frequently revisited in his work. The bluish-gray tones of her gown complement the creamy white of her headscarf, lending an ethereal quality to the portrait. The brushstrokes are loose and suggestive, likely indicative of the study's purpose as a preliminary exploration of form and mood rather than a finished piece.This painting not only highlights Waterhouse's skillful rendering of human emotions and classical beauty but also provides viewers insight into the creative process that laid the groundwork for 'The Enchanted Garden.
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John William Waterhouse was an English painter known for working first in the Academic style and for then embracing the Pre-Raphaelite Brotherhood's style and subject matter. His artworks were known for their depictions of women from both ancient Greek mythology and Arthurian legend.