Rooftops and Trees (1918)

Technique: Giclée quality print
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More about this artwork

Welcome to our online gallery, where we have the pleasure of showcasing Charles Demuth's painting, "Rooftops and Trees" from 1918. This mesmerizing watercolor highlights Demuth's precise yet delicate handling of both urban scenery and natural elements.In "Rooftops and Trees," we observe an intriguing intersection of man-made structures and the organic forms of nature. The composition captures a collection of rooftops, angled and overlapping in a dynamic arrangement. The earthy tones of the building materials are juxtaposed against the soft, lush greens of the trees that surge upward, breaking the linearity with their undulating forms and vibrant foliage.The sky, glimpsed through fragments left by the angular rooftops and trees, offers patches of a serene blue, adding a breath of calm to the otherwise bustling composition. The interplay of colors and shapes provides a glimpse into a tranquil moment, frozen in time, where the coexistence of urban life and nature speaks of balance and beauty.This piece beautifully embodies Demuth's style, characterized by a blend of modernist clarity and an almost poetic embrace of nature. It invites viewers to pause and appreciate the serene cohabitation of the constructed world and the natural environment.

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Charles Demuth (1883-1935) was one of the leading artists during the American Modernism era. He was distinguished for intimate watercolors and cubic architectural paintings. Demuth studied art at Académie Julian in Paris, where he was welcomed into the avant-garde art scene and met other American Cubism artists like Marsden Hartley. His watercolor figures have a weightless and surrealistic character with a sensitive linear style, in which he illustrated plays and novels such as Émile Zola's Nana. He also depicted an evolving gay scene of encounters at bath houses through watercolors for his close friends, like the "Turkish Bath", works that now are of great historical significance. Demuth later employed a cubist technique by painting industrial factories with complex structural planes, leading him to becoming a pioneer for the precisionist movement.