Prismes-39 (1931)

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

"Prismes-39" (1931) by Emile-Allain Séguy is a captivating example of modernist artistic expression, filled with a vibrant interplay of geometric forms and bold coloration. This painting showcases irregular shapes and abstract patterns that create a dynamic visual landscape. Splashes of intense blue and calming grey form a stark contrast with striking yellow accents, suggesting movement and energy. The textures in the composition add depth, with certain elements possessing a gritty, almost tactile quality, while others appear smooth and fluid.Séguy's work is renowned for its ability to merge natural elements with stylized abstraction, and "Prismes-39" remains a powerful testament to his innovative approach to design and color. This painting invites viewers to explore the balance between form and chaos, encouraging a deep engagement with the shapes and colors that dominate the canvas.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Emile-Allain Séguy was a popular French designer throughout the Art Deco and Art Nouveau movements of the 1920s. Often confused with the French entomologist Eugene Séguy who was active during the same time period, E.A. Séguy designed primarily patterns and textiles and was heavily influenced by the natural world. He was particularly fond of the intricate patterns and beauty of insects (Eugene would have approved), which he saw as “mechanic wonders” that provided abundant inspiration for interior design (Schiff, 157).