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Hélène De Braekeleer, the Painter’s Sister (1865-1870) reproduction of painting by Henri de Braekeleer. ALL GICLEE PRINTS

Hélène De Braekeleer, the Painter’s Sister (1865-1870)

Henri de Braekeleer
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In the evocative portrait "Hélène De Braekeleer, the Painter’s Sister," Henri de Braekeleer captures the composed yet intense essence of his sister, Hélène. Painted between 1865 and 1870, this work exemplifies Henri's adeptness at depicting the subtle intimacies of human expressions and moods.The painting presents Hélène in a frontal pose against a richly patterned tapestry background, which adds depth and texture to the composition. Her face, rendered with meticulous attention to detail, conveys a serene, introspective gaze that might suggest her contemplative nature or hint at the close bond between the artist and his subject. Hélène's attire is modest yet detailed, with a brown dress that features precise pleats and a white lace collar. The buttons of the dress are neatly aligned, drawing attention to the craftsmanship of the garment and the careful portrayal by the artist.This portrait not only showcases Henri de Braekeleer's skill in realism and his sensitivity to color and texture but also provides a glimpse into the personal life and familial relationships of the artist.

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Artist
Henri de Braekeleer
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Henri Jean Augustin de Braekeleer (11 June 1840 – 20 July 1888) was a Belgian painter. He was born and died in Antwerp. He was trained in drawing by his father Ferdinand de Braekeleer, a well-known genre painter, and his uncle Jan August Hendrik Leys. Braekeleer entered the Royal Academy of Fine Arts (Antwerp) in 1854. Although he remained a student there until 1861, he publicly exhibited his paintings for the first time in 1858, when Reaper and Washerwoman (locations unknown) were shown at the Antwerp Salon. In 1863, he went to Germany and, in 1864, to the Netherlands, studying works by 16th- and 17th-century painters in both countries. The influence of Johannes Vermeer was especially important, seen in one of de Braekeleer's most characteristic subjects: a single person absorbed in a quiet activity, shown in an interior lit by a window.

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