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Landing at Sabbath Day Point (c. 1853) reproduction of painting by John Frederick Kensett. ALL GICLEE PRINTS

Landing at Sabbath Day Point (c. 1853)

John Frederick Kensett
Technique: Giclée quality print
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John Frederick Kensett's mid-19th century masterpiece, "Landing at Sabbath Day Point" (c. 1853), captures the serene beauty of Lake George in New York. This painting delicately portrays a moment of tranquility with the careful balance of land, water, and sky. The foreground of the painting is dominated by textured rocks and a mix of lush and autumn-colored foliage, suggesting a dance between seasons. This elemental boundary gently leads the viewer's eye towards a meticulously depicted scene by the water’s edge.A small wooden raft floats near the shore, hosting a trio of figures who appear absorbed in a quiet, unhurried activity, possibly unloading or preparing to fish. The calm water mirrors an expanse of low hills that recede under a soft sky, possibly hinting at early morning or late afternoon light.Kensett's skill in using light to enhance the natural calmness and his restraint in color usage help convey a sense of peace and timelessness. This work is a beautiful example of the Hudson River School style, celebrated for its detailed, almost reverential attention to nature and its ability to convey a profound, quiet majesty.

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Artist
John Frederick Kensett
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John Frederick Kensett was an American landscape painter and engraver born in Cheshire, Connecticut. A member of the second generation of the Hudson River School of artists, Kensett's signature works are landscape paintings of New England and New York State, whose clear light and serene surfaces celebrate transcendental qualities of nature, and are associated with Luminism. Kensett's early work owed much to the influence of Thomas Cole, but was from the outset distinguished by a preference for cooler colors and an interest in less dramatic topography, favoring restraint in both palette and composition.

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