Woman Reading (1872)

Technique: Giclée quality print
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More about this artwork

This captivating oil painting, titled "Woman Reading," was masterfully created in 1872 by the Belgian artist Henri de Braekeleer. The painting delicately portrays a solitary woman engrossed in reading a book, her concentration palpable in the quiet atmosphere that surrounds her.In this intimate composition, de Braekeleer presents the woman in a profile view, her head bent forward towards the book with her attention completely absorbed by the text. The warm, earthy tones of the painting, coupled with meticulous attention to texture, bring out the quiet elegance and simplicity of the moment. The depth of detail in her attire, a white blouse with dark striped accents, and the textured skirt, adds a rich contrast against the ornate tapestry backdrop. This backdrop, rich with darker hues and intricate designs, not only enhances the historical feel of the scene but also frames the central figure, focusing the viewer’s attention on her and her alone.The superb play of light subtly highlights her face and the pages of the book, suggesting perhaps an afternoon setting where the stillness is almost tangible. This artwork not only reflects de Braekeleer’s skill in realism and his keen eye for detail but also evokes a universal reverence for the act of reading and the transportive power of literature.

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Henri Jean Augustin de Braekeleer (11 June 1840 – 20 July 1888) was a Belgian painter. He was born and died in Antwerp. He was trained in drawing by his father Ferdinand de Braekeleer, a well-known genre painter, and his uncle Jan August Hendrik Leys. Braekeleer entered the Royal Academy of Fine Arts (Antwerp) in 1854. Although he remained a student there until 1861, he publicly exhibited his paintings for the first time in 1858, when Reaper and Washerwoman (locations unknown) were shown at the Antwerp Salon. In 1863, he went to Germany and, in 1864, to the Netherlands, studying works by 16th- and 17th-century painters in both countries. The influence of Johannes Vermeer was especially important, seen in one of de Braekeleer's most characteristic subjects: a single person absorbed in a quiet activity, shown in an interior lit by a window.