La prairie (circa 1880)

Technique: Giclée quality print
Recommended by our customers
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Finishing (pick one!)

More about this artwork

Delve into the serene world of "La prairie," a captivating painting created around 1880 by the esteemed Impressionist artist, Henri Le Sidaner. This timeless piece invites viewers into a lush, pastoral setting bathed in a soft, ethereal light that conveys both calm and a subtle sense of intimacy.The composition of "La prairie" features an inviting stream that meanders through a verdant landscape. The viewer’s eye is gently guided along the water’s path, surrounded by wild grasses and punctuated by sparse yet striking trees. These elements are rendered in a blend of muted greens, blues, and earth tones, which together create a harmonious and peaceful rural scene.Henri Le Sidaner is known for his mastery in capturing the play of light and shadow, and "La prairie" is a prime example of his skill. The dappling of light through the trees onto the ground and the reflective surface of the water demonstrates his nuanced approach to light, which enhances the overall dreamy quality of the painting.This work is ideal for those who appreciate the beauty of the natural world and the Impressionist style that seeks to capture fleeting moments in time.

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Henri Eugène Augustin Le Sidaner (7 August 1862 – 14 July 1939) who was a contemporary of the Post-impressionists, was an intimist painter known for his paintings of domestic interiors and quiet street scenes. His style contained elements of impressionism with the influences of Édouard Manet, Monet and of the Pointillists discernible in his work. Le Sidaner favoured a subdued use of colour, preferring nuanced greys and opals applied with uneven, dappled brushstrokes to create atmosphere and mysticism. A skilled nocturne painter, he travelled widely throughout France and Europe before settling at Gerberoy in the Picardy countryside from where he painted for over thirty years.

Le Sidaner's paintings and pastels were widely collected throughout his career. His seductive views of the gardens he created in the ruins of the medieval fortress at Gerberoy, with their recently vacated tables dappled in sunlight and overhung by roses, have cemented his reputation as a unique artist who does not fit easily into an art movement.