The First of September – Evening (1796)
Technique: Giclée quality print
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George Morland’s 1796 masterpiece, “The First of September – Evening,” exemplifies his exceptional talent for capturing scenes of rural English life with a sensitive, picturesque approach. This painting presents a charming rural scene at dusk, filled with warm colors of a setting sun that hints at the end of a pleasant day.In the foreground, a group of figures contributes to the scene's lively yet tranquil nature. On the left, three individuals—a man, a young child, and a woman seated inside by the window—engage in a moment of casual conversation. The man, sitting on a bench, gestures while talking to the other man standing beside the child, pointing perhaps at the landscape or relating a story from their day. The presence of two dogs adds a homely, faithful touch to the assembly.To the right, you view another figure leading a pair of horses away from the inn, which bears a quaint sign with the image of a lion. This suggests the painting’s setting is an inn, a resting point that casts hospitality amidst the travel routes of pastoral England.The building itself is depicted with rustic charm, featuring a thatched roof and robust wooden structure, commonly associated with the rural architecture of the time.“The First of September – Evening” not only reflects George Morland’s acute observation skills and mastery in embodying the simple yet profound aspects of rural existence but also evokes a sense of calm and the pleasures associated with the countryside.
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George Morland (26 June 1763 – 29 October 1804) was an English painter. His early work was influenced by Francis Wheatley, but after the 1790s he came into his own style. His best compositions focus on rustic scenes: farms and hunting; smugglers and gypsies; and rich, textured landscapes informed by Dutch Golden Age painting.