Women At Their Toilette (1897)

Technique: Giclée quality print
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More about this artwork

Félix Vallotton's 1897 painting, "Women at Their Toilette," offers a captivating snapshot of domestic intimacy and private moments. This artwork is a striking example of Vallotton’s transition from engraver to painter, capturing the subtleties of interior life with a bold simplicity of form and color. Set against a richly decorated room, three nude women engage in their personal grooming routines, each captured in different postures and at various stages of their toilette.The painting is divided into zones by the use of robust colors and patterns. On the left, a woman rests on a plush red couch, her body curved in repose, facing away from the viewer. Her tranquility contrasts with the activity of the other figures. In the center, another stands on a circular mat, drying her face with a towel, while to the right, the third woman stands before a mirror, attending to her hair. The mirror cleverly reflects her back, adding depth to the scene and inviting viewers to ponder the woman’s expression that remains hidden from view.The environment is richly detailed, from the Persian rugs underfoot to the ornate wallpaper and heavy, luxuriant draperies. These elements not only place the figures within a specific socio-economic setting but also complement the contours of their bodies with intricate textures and patterns. Vallotton's use of bold flat color planes and sharp outlines creates a graphic quality that was ahead of his time, influencing later modernist movements."Women at Their Toilette" is not merely a depiction of feminine beauty but a deeper exploration of private worlds seldom shared with the outside viewer. By presenting these women in their intimate settings without overt eroticism, Vallotton respects their privacy while celebrating the simple beauty of everyday rituals.

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Félix Édouard Vallotton (December 28, 1865 – December 29, 1925) was a Swiss and French painter and printmaker associated with the group of artists known as Les Nabis. He was an important figure in the development of the modern woodcut. He painted portraits, landscapes, nudes, still lifes, and other subjects in an unemotional, realistic style.