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Pears (1880) reproduction of painting by Edouard Manet. ALL GICLEE PRINTS

Pears (1880)

Edouard Manet
Technique: Giclée quality print
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Edouard Manet's "Pears" (1880) masterfully captures the simple elegance of everyday objects through his sophisticated use of brushwork and color. In this painting, two ripe pears rest on a white surface, set against a dark, muted background that enhances the subtle interplay of light and texture visible on their skins. The fruit’s ample forms and varied tones exhibit Manet’s departure from traditional still lifes, seeking instead to emphasize the tactile and visual qualities of the subjects depicted.The composition sees these pears portrayed not just as items of still life, but as subjects with a near anthropomorphic quality, highlighted through their placement and the detailed attention paid to their textures. The pear on the left shows a robust, textured surface with hints of a blush tone, suggesting ripeness, while the one reclining near it seems to beckon a sense of softness and yielding flesh. The thickly applied paint and the visible brush strokes give the viewer a sensory impression of the fruit, making the pears appear almost reachable and tangible.This piece not only reflects Manet’s intrigue with the natural world but also his ability to transform a mundane, rustic subject into a compelling visual experience.

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Artist
Edouard Manet
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Édouard Manet (1832–1883) was a French modernist painter and one of the first 19th century artists to paint modern life. His impressionist style is characterized by relatively small and thin brushstrokes that create emphasis on light depiction. Manet was one of the key artists in the transition from realism to impressionism, along with Claude Monet, Edgar Degas, and Pierre-Auguste Renoir. However, he resisted involvement in any one specific style of painting, and only presented his work to the Salon of Paris instead of impressionist exhibitions. His early masterworks, The Luncheon on the Grass and Olympia, created great controversy and served as a rallying point for other young painters.

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