Pooley Bridge
Technique: Giclée quality print
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Joseph Farington, a keen observer of nature and a master in capturing its essence, presents a tranquil vista in his exquisite drawing titled "Pooley Bridge." This artwork, created with delicate sepia tones, harmoniously blends detailed line work with soft, atmospheric shading to convey a placid lake scene surrounded by the rugged beauty of the landscape.In the foreground, a rustic stone bridge skillfully drawn, leads the eye towards a quaint cottage nestled amongst verdant trees and shrubbery, suggesting a harmonious existence with nature. The dwelling, characterized by its classic structure and smoking chimney, adds a sense of warmth and life to the serene landscape.Beyond the central features, the eye travels across a calm body of water, capturing the reflection of a rowboat manned by two figures. This inclusion not only adds life and movement to the scene but also enhances the depth and perspective of the drawing.The background is softly defined by a series of undulating mountains, fading into the horizon under a broad, expansive sky. This backdrop lends a majestic sense of scale and awe, common to Farington’s works, inviting the viewer to contemplate the sublime beauty of the English countryside."Pooley Bridge" is a testament to Joseph Farington’s artistic prowess and his ability to evoke a sense of peace and contemplation through his landscapes.
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Joseph Farington RA was an 18th-century English landscape painter and diarist.
Born in Leigh, Lancashire, Farington was the second of seven sons of William Farington and Esther Gilbody. His father was the rector of Warrington and vicar of Leigh. Three of his brothers—William, Henry, and Richard—were "employed in the naval service of the East India Company". Edward died of yellow fever when he was 32. Robert attended Brasenose College and became vicar of St George in the East, London (whose advowson was held by Brasenose). George Farington became a painter, like Joseph himself.