St. Paul’s Cathedral, from St. Martin’s-le-Grand, London (ca. 1795)

Technique: Giclée quality print
Recommended by our customers
Size
Finishing (pick one!)

More about this artwork

"St. Paul’s Cathedral, from St. Martin’s-le-Grand, London" by Thomas Girtin captures the iconic and sublime presence of St. Paul's Cathedral embedded within the everyday life of London circa 1795. This magnificent watercolor depicts a bustling urban scene where the grandeur of the cathedral's dome looms over surrounding buildings, subtly suggesting its immense cultural and architectural significance.The artwork manifests a unique interplay of light and structure, guiding the viewer's eye towards the majestic dome, outlined perceptively amidst the cityscape. The nearby buildings, presented in a detailed yet restrained manner, bear a stark, monochromatic contrast to the soft, ethereal dome above. Moving through the painting, one notes the lively streets filled with tiny, dynamic figures and horse-drawn carriages, illustrating the vibrancy of city life under the watchful presence of the cathedral.Girtin's expertise with watercolor lends a dreamlike quality to the scene, with delicate brushstrokes that evoke the historical texture of London in the late 18th century. As one marvels at "St. Paul’s Cathedral, from St. Martin’s-le-Grand," it is not just the architectural splendor that captures the imagination but also the vivid glimpse into the era's urban pulse.

Delivery

We create reproductions on demand, with a production time of 5 to 7 business days.

Our courier service ensures delivery within an additional two business days.

If you need a faster turnaround, please contact us. We can often expedite the process to meet your needs.

You can also pick up your paintings at our galleries in Kaunas or Vilnius.

Returns

Yes, reproductions can be returned.

If you have any concerns more than 30 days after purchase, please contact us. We will either provide a refund or offer a replacement!

Please note that we accept a maximum of two returns per customer. Since reproductions are made to order, we encourage you to choose responsibly.

Shipping expenses are non-refundable.

Thomas Girtin was an English watercolourist and etcher. A friend and rival of J. M. W. Turner, Girtin played a key role in establishing watercolour as a reputable art form.

Thomas Girtin was born in Southwark, London, the son of a wealthy brushmaker of Huguenot descent. His father died while Thomas was a child, and his mother then married a Mr Vaughan, a pattern-draughtsman. Girtin learnt drawing as a boy (attending classes with Thomas Malton), and was apprenticed to Edward Dayes (1763–1804), a topographical watercolourist. He is believed to have served out his seven-year term, although there are unconfirmed reports of clashes between master and apprentice, and even that Dayes had Girtin imprisoned as a refractory apprentice. Certainly Dayes did not appreciate his pupil's talent, and he was to write dismissively of Girtin after his death.