After the Ball (1874)

Technique: Giclée quality print
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More about this artwork

Alfred Stevens' masterful painting, "After the Ball," captures a quiet, introspective moment that is both elegant and emotionally resonant. Painted in 1874, this work delivers a snapshot of Victorian life and its associated social customs.In the painting, two women find themselves in what appears to be a private drawing room, draped in the aftermath of an evening’s event. The central figure, a young woman dressed in a splendid gold and satin ball gown, rests her head on her hand in a gesture of exhaustion or perhaps contemplation. Her posture and expression suggest a deep introspection or a moment of emotional vulnerability. This woman's opulent dress, adorned with intricate patterns and shimmering textures, contrasts with her somber demeanor, adding a layer of complexity to the scene.Standing beside her is another woman, attired in a delicate pinkish gown that exemplifies the era's fashion. She places a comforting hand on her companion’s shoulder, her expression one of concern and empathy. The positioning and gentle touch of the standing woman imply a reassuring presence, perhaps offering solace after a taxing or disappointing night.The background of the scene includes a dimly lit oil lamp and a richly decorated vase, which further elaborate the Victorian setting, characterized by its rich textures and attention to detail. The soft illumination accentuates the emotional gravity of the moment and amplifies the luxurious fabrics and furnishings that define the era’s aesthetic.Overall, "After the Ball" by Alfred Stevens is not only a visual feast for its portrayal of rich textures and detailed garments but also a poignant narrative encapsulated in a single, reflective moment.

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Alfred Émile Léopold Stevens (11 May 1823 – 24 August 1906) was a Belgian painter, known for his paintings of elegant modern women. In their realistic style and careful finish, his works reveal the influence of 17th-century Dutch genre painting.