In the Village near Tassisudon [Tashicho Dzong] (ca. 1783)

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1783)Samuel Davis's engaging watercolor painting, "In the Village near Tassisudon [Tashicho Dzong]," transports viewers to the serene landscapes and simple life of 18th-century Bhutan. Created around 1783, this artwork showcases Davis's keen eye for detail and his profound appreciation for the natural environment and architecture of the region.The painting offers a view of a small village set against a backdrop of hazy, distant mountains, which likely represent the rugged terrain typical of Bhutan. The composition focuses on several structures that embody the traditional Bhutanese architectural style, characterized by sturdy, white-washed walls and wooden roofs. In the foreground, a few villagers are depicted engaging in daily activities, providing a glimpse into the rural life of the time.On the left, a lone figure is seen from behind, gazing into the village, possibly pondering the day's tasks. Towards the center, an elevated building stands prominently, perhaps serving as a communal or religious gathering place given its size and central position. To the right, under the shade of a lush tree, a group of villagers sits together, indicating a sense of community and social interaction.The use of light and shadow in the painting adds depth and realism, while the soft, monochromatic palette suggests the tranquility and timeless beauty of the location. Davis’s skilled brushwork captures textures in the vegetation and structures, conveying both the roughness and the warmth of the rural setting.

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Samuel Davis was an English soldier turned diplomat who later became a director of the East India Company (EIC). He was the father of John Francis Davis, one time Chief Superintendent of British Trade in China and second governor of Hong Kong.