Young Girl at a Window (c. 1883-1884)

Technique: Giclée quality print
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More about this artwork

" by Mary Cassatt (c. 1883-1884): A Reflection of Serenity and Distinct Sensibility""" is a compelling painting by the American artist Mary Cassatt, known for her perceptive depictions of women and children. This work is an exquisite display of Cassatt's talent in capturing the innocence and reflective moods of her subjects.In this painting, a young girl, adorned in a light-blue dress and a large, floppy white hat with lavender trim, sits calmly at a window. The soft, natural light accentuates the delicate features of her face and the gentle folds of her dress. Her attentive gaze, directed outside the frame, suggests a moment of introspection or distraction, inviting viewers to ponder what might be capturing her attention. A small dog, suggesting a companionship that is both quiet and comforting, rests comfortably in her lap, enhancing the painting's sense of tranquility.The background of the painting hints at an urban setting with blurred structures that suggest far-off buildings. The use of light and shadow, along with the subdued yet effective color palette, allows the figure to stand out, imbuing the painting with a warm, intimate atmosphere.Mary Cassatt's work often portrays the private and contemplative moments of everyday life, and "Young Girl at a Window" encapsulates this theme beautifully. It offers a glimpse of a quiet, fleeting moment that is both personal and universal—a testament to Cassatt's mastery of emotional depth and technical skill.

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Mary Stevenson Cassatt was an American painter and printmaker. She was born in Allegheny City, Pennsylvania (now part of Pittsburgh’s North Side), but lived much of her adult life in France where she befriended Edgar Degas and exhibited with the Impressionists. Cassatt often created images of the social and private lives of women, with particular emphasis on the intimate bonds between mothers and children.

She was described by Gustave Geffroy as one of "les trois grandes dames" (the three great ladies) of Impressionism alongside Marie Bracquemond and Berthe Morisot.In 1879, Diego Martelli compared her to Degas, as they both sought to depict movement, light, and design in the most modern sense.