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Lilas Mauve Dans Un Vase De Terre Jaune Et Vert (1930) reproduction of painting by Pierre Bonnard. ALL GICLEE PRINTS

Lilas Mauve Dans Un Vase De Terre Jaune Et Vert (1930)

Pierre Bonnard
Technique: Giclée quality print
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"Lilas Mauve Dans Un Vase De Terre Jaune Et Vert" (Purple Lilacs in a Yellow and Green Earthen Vase), painted in 1930 by Pierre Bonnard, captures a lush bouquet of lilacs resting effortlessly in a robust, green vase, accented with earthy tones. Displayed prominently against an abstractly painted yellow background, which suggests a radiant light source, the lilacs take center stage with their vibrant mauve blooms and verdant leaves.The composition conveys a sense of intimate closeness, invoking the feeling of a serene, private moment preserved in time. Bonnard’s deft use of colors and brushwork creates a dynamic tension between the tranquility of the subject and the vibrant, almost tactile texture of the paint.The dark browns and red of a small pot next to the vase add depth to the painting, contrasting with the lively greens and purples, and infusing the scene with a warm domesticity. A thin blue vertical stripe on the right edge possibly hints at the edge of a window or a door, subtly framing the floral subject and rooting the arrangement within an indoor setting.This painting exemplifies Bonnard's fascination with color and his ability to transform ordinary scenes into visual celebrations, inviting viewers to pause and revel in the beauty of everyday moments.

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Artist
Pierre Bonnard
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Pierre Bonnard (1867-1947) was a French post-impressionist painter, printmaker, and the leader of the Intimist art movement. He is regarded as one of the greatest colourists of modern art. Together with other young artists in Montmarte, Bonnard co-founded the group known as Les Nabis, translated from the arabic word “prophet”. He was known for a painting style that was very intimate, featuring friends in a garden, nudes, interiors and sunlit objects of everyday life. He began by painting in watercolor, composing scenes and deeply familiarizing himself with the subject, before transferring the composition to canvas. In many of his paintings, his mistress Marthe was the main subject. She was his most important model and was often pictured nude, after 30 years they finally married. 

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