Figuur met een puntige neus en lange wimpers in profiel naar rechts (1943-10-15)
Technique: Giclée quality print
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Discover the intriguing world of Samuel Jessurun de Mesquita through his compelling artwork, "Figuur met een puntige neus en lange wimpers in profiel naar rechts," created on October 15, 1943. This captivating piece features a drawing that elegantly combines elements of surrealism and expressionism, leaving a lasting impact on the viewer.In this artwork, de Mesquita portrays a figure in profile, distinguished by a pointed nose and long eyelashes, which adds a distinctive character to the subject. The style is marked by bold, clear lines that sculpt the figure's delicate contours and pronounced facial features, setting a stark contrast against the lighter background. The abstract influence is evident in the simplification of forms and the use of fluid lines that suggest movement and emotion.Adding to the complexity of this piece is another figure seen in the forefront, possibly interacting with or emerging from the first figure. This character has a dramatically expressive face, wide eyes, and an open mouth, as though caught in a moment of intense emotion or surprise. The integration of these two figures creates a narrative that is open to interpretation, inviting viewers to delve into the story that unfolds within these intersecting lines."Figuur met een puntige neus en lange wimpers in profiel naar rechts" is a fascinating work that showcases Samuel Jessurun de Mesquita’s mastery in conveying emotion and depth through minimalistic yet powerful strokes. This piece not only captures the essence of human expression but also reflects the turbulent era during which it was created, making it a profound statement in both art and history.
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Samuel Jessurun de Mesquita was a Dutch graphic artist active in the years before the Second World War. His pupils included graphic artist M. C. Escher (1898–1972). A Sephardic Jew, in his old age he was sent to Auschwitz by the Nazis, where he was gassed along with his wife. After the war, de Mesquita was largely forgotten.