Portrait of Pieter Soutman (1626)
Technique: Giclée quality print
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More about this artwork
Delve into the world of baroque art with Anthony van Dyck’s intriguing portrait of Pieter Soutman, painted in 1626. This artwork showcases van Dyck’s skillful use of brushwork, lighting, and expression, characteristic of his portraiture that has captivated art lovers for centuries.The painting portrays Pieter Soutman, a notable figure of the time, believed to be a painter and art dealer himself. Soutman gazes out towards the viewer with a confident, almost introspective expression. His face is framed by shoulder-length, curly hair and a distinctive, styled mustache, an embodiment of the period’s fashion.Soutman is dressed in elegant, dark attire that subtly reflects light, demonstrating van Dyck’s attention to fabric texture and detail. A simple but rich lace collar peeks through the top of his clothing, adding a touch of sophistication to his somber outfit. The deep, muted tones of the background further draw attention to Soutman’s visage and the intricate details of his countenance and attire.This portrait not only exemplifies the personal style and technical prowess of Anthony van Dyck but also provides a glimpse into the persona and status of Pieter Soutman.
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Sir Anthony van Dyck (1599 – 1641) was a Flemish Baroque artist who became the leading court painter in England after success in the Spanish Netherlands and Italy.
The seventh child of Frans van Dyck, a wealthy Antwerp silk merchant, Anthony painted from an early age. He was successful as an independent painter in his late teens, and became a master in the Antwerp guild in 1618. By this time he was working in the studio of the leading northern painter of the day, Peter Paul Rubens, who became a major influence on his work.