Venice, A View Of The Churches Of The Redentore And San Giacomo, With A Moored Man-Of-War, Gondolas And Barges

Technique: Giclée quality print
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Artist: CanalettoCanaletto's masterful painting, "Venice, A View of the Churches of the Redentore and San Giacomo, with a Moored Man-of-War, Gondolas and Barges," encapsulates the serene beauty and bustling activity of Venetian life in the 18th century. This artwork offers a picturesque panorama of Venice, showcasing the city’s famous architectural wonders and vibrant maritime culture.Foregrounding the composition are the calm waters of the lagoon, dotted with gondolas and barges smoothly gliding or moored along the quay. Each boat is depicted in meticulous detail, highlighting Canaletto's precision in portraying the everyday life of Venetians, from fishermen to noblemen. The central focus of the painting is the majestic Church of the Redentore, an iconic symbol of the city, renowned for its grand façade and domed structure, reflecting the splendor of Venetian architecture. Adjacent to it stands the slender silhouette of San Giacomo church, its campanile stretching towards the sky, providing a counterpoint to the domed grandeur of the Redentore.On the right, the presence of a large man-of-war, moored and formidable, adds a dramatic contrast to the serene setting. Its intricate rigging and decorated stern are captured with impressive detail, serving as a testament to Venice’s maritime power and strategic importance in global trade during Canaletto’s time.

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Giovanni Antonio Canal (18 October 1697 – 19 April 1768), commonly known as Canaletto, was an Italian painter from the Republic of Venice, considered an important member of the 18th-century Venetian school.

Painter of city views or vedute, of Venice, Rome, and London, he also painted imaginary views, although the demarcation in his works between the real and the imaginary is never quite clearcut. He was further an important printmaker using the etching technique. In the period from 1746 to 1756, he worked in England, where he painted many views of London and other sites, including Warwick Castle and Alnwick Castle. He was highly successful in England, thanks to the British merchant and connoisseur Joseph "Consul" Smith, whose large collection of Canaletto's works was sold to King George III in 1762.