Self-Portrait (1916)
Technique: Giclée quality print
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Within the etching titled "Self-Portrait" (1916) by Anders Zorn, viewers encounter an intimate glimpse into the persona of the artist. Unlike traditional portraits gleaming with clarity, Zorn portrays himself enshrouded in a voluminous fur coat with a hat shadowing his eyes, which introduces an element of mystery and introspection.The composition focuses intimately on Zorn’s face, which occupies the center of the frame, his gaze directed slightly away from the viewer. The fur, sketched with vigorous, textural lines, adds a dramatic contrast that emphasizes his facial features. The artwork is marked by a masterful use of light and shadow, which brings a rugged realism to the etching.This self-portrait is not just a representation but a reflection on his identity as an artist during the later stages of his career. The encompassing dark tones and intricate details of his attire evoke a sense of isolation, possibly highlighting the internal emotional state of the artist.Anders Zorn, renowned for his portraits and watercolors, includes his signature at the bottom of the etching—a reminder of his perpetual presence in his work. Through this piece, he not only captures his own image but also communicates a deeper sense of psychological insight.
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Anders Leonard Zorn (18 February 1860 – 22 August 1920) was a Swedish painter. He attained international success as a painter, sculptor, and etching artist. Among Zorn's portrait subjects include King Oscar II of Sweden and three American Presidents: Grover Cleveland, William H. Taft, and Theodore Roosevelt. At the end of his life, he established the Swedish literary Bellman Prize in 1920.