Portrait of Maxim Gorki (1905)
Technique: Giclée quality print
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Welcome to a remarkable depiction of the Russian writer, Maxim Gorki, crafted by the eminent Swiss-French artist Théophile Alexandre Steinlen. Created in 1905, this remarkable piece of art immortalizes Gorki in a moment of deep contemplation and formidable presence.The portrait showcases Steinlen's mastery in capturing human emotions and character with his adept use of charcoal. The subdued tones and soft gradation of shading provide a tranquil yet intense look into Gorki's features, reflecting both the strength and sensitivity of this notable literary figure.Gorki’s expression is both solemn and introspective, suggesting a personality accustomed to deep thought and resilience. His eyes, slightly downturned, seem lost in thought, inviting viewers to ponder the complex inner world of this influential writer. His long hair and draped clothing add to the timeless quality of this piece, steering clear of specific fashion or era, thereby focusing purely on the essence of the individual.Steinlen’s dynamic and somewhat rough textural strokes evoke a sense of the raw vigor and emotional intensity that Gorki was known for. The contrasting play between light and shadow in the artwork not only highlights facial features but also serves as a metaphor for the themes of struggle and endurance evident in Gorki’s written works.This powerful portrait not only captures the physical likeness of Maxim Gorki but also serves as a poignant representation of his spirit and intellectual legacy. It stands as a testament to Steinlen's skill in portraiture and his ability to convey profound human depth on canvas.
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Théophile Alexandre Steinlen, was a Swiss-born French Art Nouveau painter and printmaker.
Born in Lausanne, Steinlen studied at the University of Lausanne before taking a job as a designer trainee at a textile mill in Mulhouse in eastern France. In his early twenties he was still developing his skills as a painter when he and his wife Emilie were encouraged by the painter François Bocion to move to the artistic community in the Montmartre Quarter of Paris. Once there, Steinlen was befriended by the painter Adolphe Willette who introduced him to the artistic crowd at Le Chat Noir that led to his commissions to do poster art for the cabaret owner/entertainer, Aristide Bruant and other commercial enterprises.