Untitled (man on horseback, woman on foot driving cattle) (1880)

Technique: Giclée quality print
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More about this artwork

Delve into the pastoral tranquility embodied in Edward Mitchell Bannister’s *Untitled (man on horseback, woman on foot driving cattle)*, painted in 1880. This exquisite piece captures a timeless rural scene enriched with Bannister's characteristic emotional depth and subtle mastery of light and atmosphere.The painting portrays a serene landscape under a broad, expressive sky, filled with billowing clouds that seem to foretell the changing weather. Dominating the foreground is a group of cattle, depicted in varying tones of brown and white, adding a sense of vitality and movement to the canvas. Bannister's skillful handling of these animals contributes to the painting’s overall sense of life and naturalism.Central to the narrative of the painting is a man on horseback, positioned slightly to the right. Dressed in dark clothing that contrasts vividly with the lighter tones of the sky and the horse, he appears as a guiding figure amidst the herd. Alongside him, to the far right, we see a woman on foot. She, too, is integral to the pastoral activity, helping drive the cattle across the lush, green landscape. Her presence adds a dynamic element to the scene, emphasizing the collaborative nature of rural work.Edward Mitchell Bannister’s subtle palette and the soft blending of colors create a harmonious and peaceful rural scene that invites viewers to reflect on simpler times and the beauty of pastoral life. This painting not only showcases Bannister’s strong compositional skills and understanding of rural America but also reflects his ability to infuse his work with a sense of calm and resilience.

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Edward Mitchell Bannister (November 2, 1828 – January 9, 1901) was an oil painter of the American Barbizon school. Born in Canada, he spent his adult life in New England in the United States. There, along with his wife Christiana Carteaux Bannister, he was a prominent member of African-American cultural and political communities, such as the Boston abolition movement. Bannister received national recognition after he won a first prize in painting at the 1876 Philadelphia Centennial Exhibition. He was also a founding member of the Providence Art Club and the Rhode Island School of Design.