Untitled (moon over a harbor, wharf scene with full moon and masts of boats) (ca. 1868)
Technique: Giclée quality print
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Delve into the nocturnal tranquility captured in Edward Mitchell Bannister’s painting, "Untitled (moon over a harbor, wharf scene with full moon and masts of boats)" from circa 1868. This evocative work of art invites viewers into a peaceful harbor scene illuminated by a radiant full moon that casts its gentle light over the water, creating a path of shimmering reflections that lead to the distant horizon. Bannister’s skillful use of muted tones and shadows conjures a serene nighttime atmosphere. The composition is balanced with dark, silhouetted masts of moored boats standing tall against the soft, dim sky. These elements collectively draw attention to the luminous moon and its reflection, which serve as the focal points of the piece. The artist's subtle handling of light and texture brings a dreamlike quality to the scene, making it feel both timeless and immediate. This painting not only showcases Bannister’s prowess as a landscape artist but also reflects his ability to evoke emotion and tranquility through his choice of subject and palette.This artwork is a splendid example of 19th-century American landscape painting, illustrating Bannister's dedication to capturing the sublime in the everyday. It invites admirers to pause and reflect, offering a moment of calmness and a break from the hustle of modern life.
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Edward Mitchell Bannister (November 2, 1828 – January 9, 1901) was an oil painter of the American Barbizon school. Born in Canada, he spent his adult life in New England in the United States. There, along with his wife Christiana Carteaux Bannister, he was a prominent member of African-American cultural and political communities, such as the Boston abolition movement. Bannister received national recognition after he won a first prize in painting at the 1876 Philadelphia Centennial Exhibition. He was also a founding member of the Providence Art Club and the Rhode Island School of Design.