Study of a woman (1898)
Technique: Giclée quality print
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"Study of a Woman," crafted by Elemír Halász-Hradil in 1898, reflects the profound ability of the artist to capture the essence of human emotion and character through subtle yet powerful strokes. This evocative artwork portrays the profile of a woman, her face angled away from the observer, lending an air of mystery and introspection. The drawing, dominated by soft, shadowy tones, emphasizes the contours and delicate features of her face, adorned by loose, understated hair that frames her profile gently.The artist employs a balanced interplay of light and shadow, skillfully rendering the woman's serene yet poignant expression. The darkness of her attire and hair contrasts deeply with the muted, lighter background, which serves to draw the viewer's focus primarily to her facial features. This meticulous attention to detail not only highlights Halász-Hradil's mastery in portraiture but also evokes a sense of deep contemplation and the inner life of the subject.This piece allows viewers a glimpse into the late 19th-century technique and style, embodied by the soft yet expressive lines that define the artwork. “Study of a Woman” serves not only as a representation of the woman herself but also as a testament to the artist's dedication to exploring the nuances of human expression and the subtleties inherent in the simplicity of a profile view.
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Elemír Halász-Hradil (1873 m. - 1948 m.) was a Slovak painter of Hungarian origin.
He lived in Vienna from 1892 to 1894.The following year he moved to Košice. He studied at Simon Hollósy's private school in Munich from 1897 to 1901, he then continued his studies at the Académie Julian in Paris with Professor Jean-Paul Laurens from 1902 to 1903.
With a soft palette and hazy paint handling, Halász-Hradil executed a variety of quiet portraits and scenes of everyday life. Along with selling his paintings, Halász-Hradil made a living as a painting teacher.