Le Parlement, soleil couchant (1900-1903)

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This evocative work by Impressionist master Oscar-Claude Monet, "Le Parlement, Soleil Couchant" (The Houses of Parliament, Sunset), captures the ethereal beauty of the London skyline during the fleeting moments of sunset. Painted between 1900 and 1903, this piece is part of a famous series in which Monet explored the effects of light and color across different times of day and weather conditions on the Houses of Parliament.In "Le Parlement, Soleil Couchant," the iconic architecture of the Parliament buildings is almost silhouetted against a vibrant sky ablazed with hues of deep violet, pink, and a fiery orange. The sun, depicted as a radiant orb, dips near the horizon, its reflection shimmering across the River Thames. The brushstrokes convey a sense of fluidity and movement, typical of Monet's style, suggesting the gentle flow of the river and the shifting clouds overhead.Monet's fascination with light and its transformational qualities is vividly expressed through his masterful use of color gradients and texture, which create a hauntingly beautiful and somewhat mystical depiction of a familiar and historic landscape. This painting not only artistically interprets a natural phenomenon but also resonates with the viewer on an emotional level, evoking a sense of tranquility and awe.

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Oscar-Claude Monet was a founder of French Impressionist painting, and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature. Monet's ambition of documenting the French countryside led him to adopt a method of painting the same scene many times in order to capture the changing of light and the passing of the seasons. From 1883 Monet lived in Giverny, where he purchased a house and property, and began a vast landscaping project which included lily ponds that would become the subjects of his best-known works. In 1899 he began painting the water lilies, first in vertical views with a Japanese bridge as a central feature, and later in the series of large-scale paintings that was to occupy him continuously for the next 20 years of his life.