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Mt. Katahdin from Togue Pond (possibly 1878) reproduction of painting by Frederic Edwin Church. ALL GICLEE PRINTS

Mt. Katahdin from Togue Pond (possibly 1878)

Frederic Edwin Church
Technique: Giclée quality print
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(Possibly 1878) by Frederic Edwin ChurchThis serene landscape, painted by the eminent American artist Frederic Edwin Church, captures a tranquil and broad scene of Mt. Katahdin, Maine’s highest peak, as viewed from the shores of Togue Pond. Known for his detailed rendering and romantic approach to natural scenes, Church here employs a somewhat restrained palette to accommodate the subtle interplay of natural light and shadow typical of the region’s topography.The artwork features a foreground dominated by the sandy shores of Togue Pond, where traces of washed-up driftwood add a touch of rugged naturalism. The pond itself, rendered in muted gray and dusty blues, mirrors the calm sky, suggesting a serene, perhaps early morning setting. The middle ground is rich with a tapestry of autumnal colored trees—yellows, oranges, and lingering greens—creating a vibrant belt before the rising mountain.Mt. Katahdin itself stands majestically in the background, its profile etched sharply against the sky. Church's treatment of the mountain shows its vast and textured surface with subtle hints of snow in its crevices, pointing to the oncoming chill of late fall or early winter.

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Artist
Frederic Edwin Church
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Frederic Edwin Church (May 4, 1826 – April 7, 1900) was an American landscape painter born in Hartford, Connecticut. He was a central figure in the Hudson River School of American landscape painters, best known for painting large landscapes, often depicting mountains, waterfalls, and sunsets. Church's paintings put an emphasis on realistic detail, dramatic light, and panoramic views. He debuted some of his major works in single-painting exhibitions to a paying and often enthralled audience in New York City. In his prime, he was one of the most famous painters in the United States.

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